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The Illusionist At first glance, it's easy why a movie like this could be dismissed. There is always something about a short story (emphasis on the word short) being fleshed out into a full-length feature film. The first four or five minutes left me a bit cold; it seems to be just a bunch of unrelated nonsense that won't gel into a cohesive and comprehensible storyline. But lay aside your trepidation - the movie does get over this minor bump in the road and really gets cooking - thankfully; it could have easily gone down a path where it would been nominated for a Razzie far more easily than an Oscar. With the backdrop of a fascistic late nineteenth-century Vienna as a backdrop, the theme of star-crossed lovers kept apart by class and society could have been a hindrance; it is actually anything but a deterrent to the story. Without giving too much away, the story centers on Eisenhiem and his quest to be with his love, Sophie. But there is a huge problem: Sophie is engaged to the Crown Prince Leopold (Rufus Sewell). There is also controversy over Eisenhiem's illusions and how they affect the public. This is where Inspector Uhl becomes a thorn in Eisenhiem's side. In the end, the movie all comes together with beautiful set pieces, solid direction from first-timer Neil Burger (he wrote the screenplay, too) and an amazing score by Phillip Glass. Overall, The Illusionist |
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