![]() |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Mel Gibson's Braveheart One day his wife, Murron (Catherine McCormack), is harassed in the market, and the attack escalates. Wallace defends her honor and gets in trouble (assault on a soldier is analogous to assault on a king). Soldiers capture Murron and kill her to draw out her husband. Mistake. When she does not turn up at the rendezvous, Wallace comes back to find her. He and other men in the village wipe out the local English soldiers and officers. They keep up the momentum and take out the nearest fort, leaving some soldiers to go and tell England that the sons and daughters of Scotland are free now and won't be needing them to come 'round any longer. Naturally things escalate and there are enormous battles and cunning tactics by the outnumbered Scots. The battle scenes are not confusing as they might have become; the English wear mostly orange and the Scots mostly plaid, which is a help. Between battles, we see England's King Edward I, Longshanks (Patrick McGoohan), and his dilemma. He wants the Scots in line, but he's also dealing with France simultaneously. He wants to expand his kingdom as much as possible for his milquetoast son, Edward (Peter Hanly). Longshanks' health is failing, and he's frustrated by his wimpy son. He sends his son's wife, Princess Isabelle (Sophie Marceau), to meet with Wallace. Isabelle is taken by Wallace; she's heard rumors about why Wallace is fighting and is impressed by the romance of it (her husband wouldn't likely do the same for her). There are betrayals, battles, injuries, love and deaths. In the end, Wallace is captured and taken to England to be made an example. It's a moving story from start to end, and it is well done. Historically, not much is known about William Wallace. Scribe Randall Wallace made a fine story from the broad strokes that history supplied. While much of it can be discarded as fancy, the story doesn't get too Hollywood on us. All the actors are covered in muck from the word go, and while it may not all be true, it feels right. |
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
action | animation | art house/international | comedy | documentary | drama | family | horror/sci-fi | suspense | television | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
![]() |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
contact | home | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||