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![]() Rick Castle, played famously by Nathan Fillion, is your typical wealthy playboy writer who is continually shot down and put in his place by the 'muse' who has been saddled with him. Detective Kate Beckett, the aforementioned muse, is a homicide detective with the NYPD, a no-nonsense, tough, tries-so-hard to be the gritty cop. Because of his friendship with the mayor, Castle is in position to help find the bad guy to further his writing career by observing Detective Beckett. Although she is none too thrilled about the situation, Castle's sense of humor and loyalty gradually breaks her down. Throughout season two, they gradually become true partners in crime-solving. There is an interesting mix of gimmes and mind boggling twists this season - almost as if they are hamming it up for both the tender-at-heart crowd and the more jaded group. Episode ten, entitled "One Man's Treasure," however, is likely to leave even the most perceptive couch sleuth feeling had. This tale is more what one might expect when shelling out the bucks for a murder mystery in the theater. It's tauntingly tangled, and the unexpected hits just keep adding up to. "Huh?" To add a bit of sweetness to the ugly mess, Castle's eleventh-grader helps out on a side case, ending the show with a dimpled grin and sweet shining eyes. The end of episode ten not only reaffirms Beckett and Castle's association but shows that the writers understand the need for closure for the audience as well as for the characters. The lack of emotional blackmail is wonderful. "Sucker Punch," while somewhat sad for Beckett, does the unthinkable: it cuts out a long-running story arc and heals the detective. It looked like they might replace it with another in "Tick, tick, tick." but that too was resolved. Instead of the air of drama hanging about her head, they simply introduced a second gentleman to create a tension triangle - let's face it, if it were a love triangle, it would simply be tawdry. Demming coming onto the scene creates a little more interest and stirs up the obvious tension between Castle and Beckett, making for a deliciously ornery wrap to the season. Although Fillion is the face of Castle Castle himself lives with a teenage daughter and a drama queen of a mother. Daughter Alexis is charming and brilliant, played by Molly Quinn. Susan Sullivan is Martha Rogers, actress extraordinaire who seems to be tossed into the mix partially to simply offer a bit of reflective character development for Castle. Sullivan is perfect and completely believable in her role, and Quinn adds that touch of authenticity to the Castle Although it is pretty obvious from the get-go that the characters are all fairly one-sided, they are so eager about it, so very enthusiastic. well, it is almost forgivable. Stir in the quippy conversation, the functional happy non-traditional family unit with the undeniable chemistry that abounds in the station, and one simply forgets the obvious gripe. Also, whereas many shows are made or broken by character development (or the lack thereof!), Castle The "extras" are amusing if not life-changing, worth a gander while finishing up that double-scoop sundae. There is one that is important, and it is found on disc one. Whether just jumping into the show on season two or trying to re-connect with hazy, old memories of season one, the "Starter Kit" is one of the best extra features that can be offered. In this case, it is a 5(ish)-minute comical summation of who, what and why from the beginning of Castle While there is no question that Castle |
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