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The centerpiece of Volume 1 of The H.P. Lovecraft Collection The story: in the hot summer of 1925, writer Randolph Carter (Bryan Moore) moves into a boardinghouse run by a cantankerous old woman (Vera Lockwood). When the young writer is struck with a heart attack, he is saved by unconventional means by the mysterious physician who lives upstairs, one Dr. Munoz (Jack Donner). Randolph befriends the doctor, who seems to truly appreciate the young man's company. However, Randolph cannot help but notice that the Doctor (1) never leaves his apartment, and (2) somehow keeps his room frigid with the help of a strange machine. Randolph soon learns the sad, haunting truth about the doctor's condition, why his apartment is so cold and, finally, the true meaning behind the doctor's phrase, "Never underestimate the power of the human will." This film won the 1999 Lovecraft Festival, and the award seems well deserved. The film is outstanding, especially considering its shoestring budget. I expect a film based on a Lovecraft work to be creepy, yet I did not expect one to be so poignant and sad as well. The strengths of this film are not special effects, but the writing and the acting. As Dr. Munoz (who apparently was not a particularly sympathetic character in Lovecraft's original), Jack Donner is unforgettable as a figure who clings to his dignity in the face of almost perverse tragedy. Near the end of the film, he gives an eloquent, moving account of the tragic events that led him to his small apartment. I doubt there are many other actors who could have delivered this soliloquy and made it as effective, as heartbreaking, as Donner does. As for the rest of the small cast, director Moore plays Randolph and does well making him likeable and sympathetic - especially considering his role is basically to be the thankless "straight man" to Dr. Munoz and the rest of the cast. My only minor complaint: the landlady (Vera Lockwood) was likely intended for some comedy relief, but her character comes off a bit too sour and whiny for me. The other short films on the disc, unfortunately, are nowhere near as accomplished as Cool Air The other two shorts are by Christian Matzke. "Nyarlathotep," like Pant's "The Hounds," has no spoken dialogue on-screen and instead features a word-for-word reading of the short story. To be honest, the film is hard to follow (and I did watch it more than once). It appears to be about a resurrected mummy who travels to a small town as a magician and brings about the apocalypse, but I'm not sure. I was also distracted by the laughably fake Egyptian "beard" worn by Nyarlathotep. Matzke's other film, "An Imperfect Solution," interprets part of Lovecraft's serialized horror adventure "Herbert West: Re-Animator." Save for a few moments of rather expected amateurish acting, it's a significant improvement over his other film as it is more clearly plotted and easy to follow. The story is quite similar to Mary Shelley's Frankenstein in theme: a brilliant doctor goes mad and homicidal in pursuit of his goal to re-animate the dead. All of the features on this disc were made on shoe-string budgets by people who made these films as true labors of love rather than for monetary gain. Still, Cool Air Extras:
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