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Now here is a unique find for true film buffs. Rarely seen outside of Germany, The Kaiser's Lackey Based on the acclaimed novel Der Untertan by Heinrich Mann, the film is basically the story of young Deidrich (Werner Peters) who, from birth through his childhood, was continually scared and intimidated, be it from his abusive father and his mother (who liked to tell scary stories to him in the crib) to his domineering teachers. However, as a young man, he learns an ugly truth: by groveling to those of higher social standing then stepping on and mistreating anyone below him, he can advance far and prosper quite nicely in society. Will Deidrich one day achieve his ultimate goal, which is to have an audience with the Kaiser himself? The film is a tongue-in-cheek historical satire of Germany from the late 1800s to the start of WWI, but it does have quite a bitter edge to it. At its core, it derides Germany's penchant for ultra-patriotism and authoritarianism - themes that still resonated all too strongly when this film was made. Peters also gives a terrific performance in what is an exceedingly difficult role; Deidrich is not a character the audience can easily identify with, as he goes from a meek, sympathetic, almost Woody Allen-esque character to a ruthless, despicable factory owner to a pathetic ultra-nationalist and wannabe "lackey" for the Kaiser. Relatively few performances require a character to be the hero AND the villain of the same film, yet Peters pulls it off admirably. After viewing the film, one can see why it might have been a bit too strong to stomach for many in the fledgling West German government. For one thing, the film is clearly pro-Socialism. The most heroic figure in the film is an elderly worker named Fischer, who matter-of-factly proclaims his Socialism and decides to run for office in town, despite strong efforts by Deidrich and Deidrich's superiors to persuade him to change his mind. All symbolic figures of bourgeoisie society, be they clergy, land barons or factory owners like Deidrich, are always seen as closed-minded, intolerant and ruthless. Furthermore, some ominous anti-Semitic remarks made by Deidrich and his cronies are obviously meant to imply that the society created by Deidrich and others laid the groundwork for rise of the Nazis, hammered home even more forcefully in the film's final scene, which was originally banned in West Germany. During a thunderstorm, Deidrich rather ridiculously bows (butt-end toward the camera) before the statue of the Kaiser he has just dedicated. As he bows, a Nazi march appears on the soundtrack. In the biting final shot, the film flashes decades ahead and shows the statue of the Kaiser standing amid the ruins of the town post-WWII, the town and the society Deidrich and others dedicated their lives to now reduced to rubble. The Kaiser's Lackey Extras:
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